Fiction
The fiction department represents a range of bestselling and award-winning talent from around the world, securing major book deals in the UK, US, Canada and in translation.
The agency represents a roster of bestselling authors, including Gail Honeyman (No. 1 in The New York and Sunday Times), Nita Prose (No. 1 in The New York Times), Charmaine Wilkerson (No. 2 in The New York Times). We also represent Canadian bestsellers such as Ashley Audrain and C.L. Miller, as well as Sunday Times bestsellers C.J. Tudor, Emma Stonex, C.L. Taylor, Elizabeth Macneal, Jack Jordan, and many more.
As one of the top literary agencies in the UK, our team handle everything from critically acclaimed literary works from the likes of Oisín Mckenna, Hanako Footman, and Soula Emmanuel to global commercial brands such as Kirsty Greenwood.
MMA authors have been nominated and have won national and international awards. Multiple agency authors have sold more than a million copies, have had their work optioned by major Hollywood producers, film studios and streaming platforms, with rights sold into multiple territories around the world.
Fiction Highlights
Meet our Fiction Agents
Some of our authors
Fiction Submissions
For fiction submissions, please only send us material when you have a completed manuscript, and when you are completely satisfied that the novel is at a point you are happy to share it.
In the same way you would write a formal covering letter, please paste an introduction to your novel in the designated box in the form below. You should include:
- A one or two-line elevator pitch
- Up to three comparable books or authors from the past ten years you’d place your book alongside
- A compelling blurb to get us interested in the story
- Any information about yourself that is relevant to the work you are submitting
Attach a one-page synopsis and the first three chapters, or first 10,000 words of the manuscript in one document. There should only be one attachment sent via the form. The synopsis should ‘tell the story,’ with spoilers, rather than ‘sell’ the story (that is done in the introductory email).
